Tim
Wilson is the Associate Publisher of Creative COW Magazine and the
Associate Director of the Creative Cow community website. Tim's
reputation as one of the foremost leaders in the professional video
market traces back to his years as a documentary filmmaker whose work
has aired on major cable networks and other outlets, to his years with
Ron & Kathlyn where Tim built such a reputation that he became the
Marketing Director and Product Manager of RED while at Boris FX, then
onto his years with AVID as their Senior Product Marketing Director for
products like Avid Xpress and Media Composer. In a move that brought
him full circle back to working with Ron & Kathlyn, Tim brings his
wide knowledge and experience to Creative Cow readers and members.
"We couldn't be happier to be working with Tim," says Creative Cow
founder and Director, Kathlyn Lindeboom. "Tim is a person that we have
such respect and admiration for. We were so proud to see him grow in
this industry into such an incredible career and we are even happier to
see him want to rejoin our team and help take the site and the Creative
COW Magazine to the next level."
Sitting tight through changing times isn't a solution. It's the opposite of a solution. Great ideas are a dime a dozen. The challenge is finding a way to earn more than a dime from them. As encouragement, here are some insights for success that I've come across lately.
You might look at HP SkyRoom and see a videoconferencing system, which indeed it is. But it is also a powerful tool for desktop sharing and collaboration, taking advantage of advanced technologies for maximum performance.
In this article, Tim Wilson begins his series on the big news already beginning to leak from IBC 2009. Blackmagic Design has acquired da Vinci Systems and yes, you read that right. BMD owns and will be developing and marketing da Vinci's award-winning colorgrading technology. What's in store? Here's Part One of Tim's look at the fast-breaking news...
In this article, Tim Wilson continues his series with his Part Two look at the big news leaking from IBC 2009. Blackmagic Design has acquired da Vinci Systems and with that acquisition comes what Tim refers to as The Power of da Vinci. And for the many that have used da Vinci over the years, they know full well the power of which Tim writes. And for those who might need an introduction to this power, Tim offers these words...
In this article, Tim Wilson talks with da Vinci user Ron Anderson in his Part Three look at Blackmagic Design's acquisition of da Vinci Systems. Ron Anderson’s relationship with da Vinci has also taken places over several decades, starting as a customer, and evolving into demo artistry even while he continues working with da Vinci systems at Atlanta’s Cinefilm.
One project took four years, and included unprecedented interactivity, Java-enabled delivery of new material to network-connected Blu-ray players, and auto updating interfaces. This is not a problem solved by a $1000 software suite.
An Introduction to the Stereoscopic 3D Creative COW Magazine Issue - From the time we first heard stories as humans, we have wanted to be persuaded by illusions. When we are, we never say, That could never happen, because it just did.
Tim Wilson looks at the box office success of DreamWorks Animation's 'Monsters vs Aliens' and how Stereoscopic 3D is lighting up ticket sales in a huge way. Tim's article explores links to trailers, the first weekend's numbers -- hint: they were pretty spectacular, especially in the IMAX theaters where the 3D version proved especially popular -- and he even gives readers a sneak leak about the next issue of Creative COW Magazine.
An animated show that completes an entire episode, from writing to air, in only six days? Delivered to the network with only minutes to spare? Meet the producers and editors of South Park, winner of 3 Emmys, a Peabody Award for Excellence and many more, as they take you inside the tools and technologies enabling one of the most pressure-packed workflows imaginable.
Everybody wants to know, what is Final Cut Server? And if they know the answer (hint: a very, very big deal), they want to know if it actually works. Who better to ask than people actually using it? The answers provided will change as the situation does, but this is where you can find everything you need to know about Final Cut Server, in real time.
In part 2 of our look at Windows on Mac, Creative Cows Tim Wilson digs deeper into questions like 64-bit computing, drive formatting, and backing up your content. Youll find tips and tricks for dual-platform success, as well as answers to a few questions raised by part 1 of this series.
Sure its possible, but why would anybody want to run Windows on a Mac? There are a bunch of great reasons for people using either OS -- and plenty more for people who have to use both. The Cows Tim Wilson takes a look at some of the options for working with 2 --or even more-- operating systems on the same computer. Sometimes, even at the same time!
The Apple iPhone is more than just the best- and fastest-selling phone of all time. It has recently become the proving ground for the technologies that are making their way into the rest of the Apple product line...and far, far beyond that. Creative COWs Tim Wilson takes a look at Apples recent iPhone announcement as he -- and Apple -- look at what the future might hold.
Creative Cow Associate Publisher Tim Wilson wrote nearly a year ago that Wal-Mart would make the deciding vote in the DVD format wars. It turned out to be true, but its only the beginning of the story. Where will Blu-ray fit into the fast-changing landscape of home entertainment? Nothings over yet. Were just getting started.
We often know each other in the Cow from the problems and solutions we share with each other, and very rarely the WORK that we actually do. Allow us to introduce then, a handful of Cows involved in various aspects of non-fiction television production. This covers everything from food and fishing to creating tasteful head wounds. With over 550,000 people passing through the Cow, this is only a brief introduction, but we have to start somewhere, dont we?
Building cinematic composites takes more than software. It takes careful planning, understanding the drama in every shot, and a sense of magic. In this Creative COW Magazine extra, we share our conversation with director Mark Allen, discussing his short film, Least Likely, a 60-second science fiction epic. Weve got the film here, along with some HD images from it. Prepare to be amazed.
In the first of our Creative COW Magazine Web Extras, we begin with Stephen Smiths outstanding article on setting up an area for proper keying from the May-June 2007 edition. His article covers every option for setting up and lighting perfect keys. Here, we look at the best advice around The COWs online communities for pulling keys from HDV footage.
As promised, here's part 2 of our preliminary look at The COW's Collected Wisdom on ProRes. The update from last week: 215 ProRes posts in the past week. That's right: the pace of ProRes posts has more than doubled. And they're spread across 11 forums! Nobody can possible keep up with all this!
Except for us. You took the effort to write 215 ProRes posts last week, so we've read each and every one of them and summarized the highlights for you here.
The big stories in part 2: ProRes for HDV, with a splash of Color. We've also got the latest tech notes from Apple, documentation you might have missed, and updates on the latest supported mice.
In this Adobe Illustrator review from The Creative COW Magazine, Tim Wilson looks at the ways that Adobe's Illustrator CS3 is designed with video and film artists in mind.
Apple's ProRes 422 is the most talked-about feature in any application for quite some time. As users finally start getting their hands on Apple Final Cut Studio 2 and working with ProRes, a number of questions have popped up. Part 1 of this article compiles some of the answers to questions including capture, performance, resolution and workflow basics from across The COW.
Steve Kilisky, Giles Baker, Hart Shafer and Mark Randall sat down with Tim Wilson and Ron Lindeboom to talk about the launch of CS3. They discuss what it means to them, and what it will mean to you. This is a brief overview of what you'll find in each of the 4 parts.
Portable media is quickly becoming one of the most popular arenas for video production and broadcast. In this Creative COW Magazine article Tim Wilson discusses the insights about multi-platform media revealed from his interview with Evan Schechtman, CTO of Radical Media and explains how to get the tools to utilize this expanding marketplace.
Adobe's Simon Hayhurst, Director of Product Management for Dynamic Media, takes Creative COW inside the Production Studio's journey across platforms. How much of it? Premiere Pro? Encore DVD? Yes, ALL of it! The Adobe Production Studio software bundle finally comes to the Mac.
In this software review of Microsoft Expression Studio, Tim Wilson takes a look at what sort of leverage Microsoft could put behind its new software package, Microsoft Expression Studio... Adobe is the 800 pound graphics gorilla, with massive market share among designers. Meet Microsoft, the 8 thousand pound gorilla. They're coming - and they're going to keep on coming. Microsoft's Expression Studio includes Expression Media, Expression Web, Expression Design and Expression Blend. Microsoft says the suite is targeted at creative pros, not business.
Industry pros reveal how they got ahead and ways to stay there... Tim Wilson reveals some professional business secrets video and effects artists have shared with him over the years of how they have come to make money doing the work they love to do.
In this article, CreativeCOWs Tim Wilson interviews Adobes Simon Hayhurst, Director of Product Management for Dynamic Media who takes us inside the Production Studios journey across platforms.
Tim Wilson recently spoke with Lonn Lorenz, the Creative Suite's product manager, and gives his thoughts on what the fuss about a point release for the Adobe Creative Suite is and concludes that premium version of Suite, offering more than enough reason to upgrade from the CS Standard, or from earlier versions of CS Premium.
Tim Wilson previews the new Adobe Soundbooth audio sweetening and soundtrack creation tool planned for 2007 release. In this article, Tim talks with Adobe's Hart Schafer, Senior Product Manager of Adobe Audio Products, and explores many of the features and functions in the newly announced Soundbooth.
No matter what a television series is about, producing a series is all about workflow. The credits at the end of an episode list who did a particular task, but how they all work together is a story in itself. For a small part of that story on one show, meet -Good Eats-, the top-rated Food Network series.
Rating product-line integration reviews for software companies such as Adobe, Apple and Avid and how well they accomplish workflow enhancements for smaller teams and one-man shops.
