Creative COW Forum Host, Web Writer, Contributing Editor
Michael Park
Tampa Bay, Florida USA
Michael Park is a freelance graphic artist, who sometimes moonlights as a trial and appellate attorney. He received a degree in economics from Auburn University and earned a Juris Doctorate from the University of Florida. Throughout his collegian studies, Michael pursued various visual effects projects for a variety of outlets. Having taught himself various visual effects programs mostly through trial and error and online tutorials, he has become well versed in a multitude of both 2d and 3d applications. His particular interest lies in the utilization and incorporation of various visual effects programs to achieve the most efficient workflow possible.
Michael currently resides in the Tampa Bay area and has been involved in visual graphic design for over a decade.
You can find Michael Park hosting in Creative COW's
Trapcode forum.
In this tutorial, Michael Park shows you how to create an Apparition effect with Trapcode particular, as seen in a film that shall not be named. You'll learn how to create realistic shadows with Red Giant Warp. Also, you'll be introduced to color correction techniques using the After Effects standard toolset, as well as Magic Bullet Looks. In addition, you'll get a sneak peak at Michael Park's upcoming Creative Cow Master Series DVD: Practical Particles.
In this video tutorial, Creative Cow contributing editor Michael Park demonstrates how to make a dark, cloudy Title reveal similar to the one seen in the Movie Which Must Not Be Named. All textures and fonts are available in the project download as well as the final CS4 project file.
In this video tutorial, Creative Cow leader Michael Park demonstrates how to create a waterfall using After Effects and Trapcode Particular. This tutorial is in response to a couple of posts on the Trapcode Forum of CreativeCOW.net looking for this type of effect. This tutorial uses Particular 2.0, but the work flow and settings should work equally will with previous versions of Particular.
In this video tutorial, Creative Cow leader Michael Park shows you how to create a realistic 3d earth, complete with clouds and atmosphere, using only After Effects' built in effects. Special attention will be given to combining multiple instances of the CC Sphere effect to create unique layers with different specular properties for the land and water masses, as well as creating lights from urban centers on the night side of the earth.
In this video tutorial, Creative Cow leader Michael Park shows you how to recreate the opening gun barrel sequence from the two newest James Bond movies in 3d Studio Max using the default scanline renderer, minimal modeling, and only standard materials.
In this video tutorial, Creative Cow leader Michael Park shows you how to achieve that classic introduction to all of the James Bond films using only basic After Effects plugins.
In this tutorial, Creative Cow leader, Michael Park, demonstrates another, more advanced method for creating shimmering glitter particles using Trapcodes Particular. The main advancement is the implementation of 3d rotation of the glitter particles, as well as using expressions to convert the rotation of the particles in all 3 axis to drive a greyscale map, which in turn is used to color the particle using colorama and create the shimmer effect when the particles face the camera.
In this tutorial, Creative Cow leader, Michael Park, demonstrates how to simulate shimmering glitter particles using fractal noise, colorama effect and Trapcodes Particular plugin.
In part two of his shotgun tutorial, Michael Park will demonstrate how to incorporate the 3d footage together with 2d footage in After effects and use different filters to create the distortion surrounding the blast from the barrel of the shotgun and the air distortion trailing the individual shotgun pellets as they race towards the camera. He will also cover some time remapping techniques to add some more interest to your shot.
Many people are interested in creating and incorporating 3d generated footage into live action. In this 2 part tutorial, Michael Park will demonstrate how to create a shotgun blast at the camera using 3d rendered particles and distortion trails along with some 2d footage to create a convincing effect. In part 1 of this tutorial, we will create the 3d shotgun pellet geometry and material, as well as the distortion trails to be later used in the after effects composition.
