| Meet Patrick Inhofer, CreativeCOW.net Leader
Creative COW Contributing Editor
Patrick
Inhofer is an editor, compositor and nice guy. He has 12 years
experience in post-production and broadcast graphics. His clients range
from ad agencies, production companies and design shops to broadcast
and cable networks. He's also had the good fortune to work the entire
spectrum of television post-production editing environments - from the
RM440 to high-priced D1 linear compositing suites to Avid Symphonies
and Discreet Logic Smoke bays.
Recently Patrick has taken the Big Step and started his own editorial design company, applePi Editorial, Inc. He's honored to be joining such a stellar group of individuals hosting Creative Cow forums.
Articles by Patrick Inhofer | | | |
Apple Final Cut Pro
 |
Avid versus Final Cut Pro: One Editor's Perspective: 2006
Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth. This article has been entirely rewritten to reflect where we stand today, the start of 2006.
Feature |
| | | | |
| | | |
Apple Final Cut Pro
 |
Avid versus Final Cut Pro: One Editor's Perspective
Longtime professional editor, Patrick Inhofer -- whose work has included many stints on systems like Smoke, Avid and newer tools like Final Cut -- explores the differences between Avid Composer and Final Cut Pro. With his experience, Patrick explores workflow and feature comparisons of areas where they are both similar and dissimilar. Whether you agree or disagree with Patrick, we guarantee that you will find his perspective to be well thought out and full of information gained from years in the editing booth.
Feature |
| | | | |
|
