Marisu was born in Belfast, Northern Ireland, but came to the USA at age 6.
BA – majors in Philosophy & Psychology, minors in Fine Art & Music
JD – law degree
Marisu began cutting film & video in the mid 1970's working on student films & some corporate video through college and graduate school. After law school she took a job as a production manager at a Baltimore firm -- the editor quit the next day and she ended up as the sole editor (corporate/commercial). After a few years, she moved to Milner-Fenwick where she was the senior editor for 21 years. Her recent work consists of long-form medical patient education (most shows range in the 15-30 minute category, some in the 1-2 hour range), some PBS programming and (very little) commercial work.
Now, after 25 years as a staff editor, she brings her creative touch to her own venture where she specializes in creative editorial and motion graphic services.
You can find Marisu Fronc hosting in Creative COW's
Discrete Edit*ors forum.
Many products that media professionals now use have AAF or will have it in the near future. Some dont have it and some companies have no plans to add it to their product offerings. Why is Advanced Authoring Format important to media pros? Who has it? What tools use it and what does it bring to you and your studios capabilities? Advanced Authoring Format and/or Media Exchange Format are project interchange formats that are creating the framework by which media professionals will work more collaboratively and productively in the days ahead. Its time for us to contact our manufacturers and providers and let them know why AAF is important to us and why well buy it if they add it. In this report, Marisu Fronc looks at the technology and the companies supporting it and why...
Marisu Fronc takes a look at Combustion v2: The On-Line WebWarriors Guide by Jack Pfeiffer. Read why Marisu believes this book is a must-have for all combustion users.
